Unkle Sounds at Plaza Condesa: DJ Concept's harsh verdict on a sugary, flat live set
A look back at one of the harshest reviews the live show of Unkle Sounds has received, published by DJ Concept in May 2016 after the band's Mexico City performance.

This is a look back at one of the harshest reviews the live show of Unkle Sounds has received. DJ Concept published its piece on 24 May 2016, covering the project's performance at Plaza Condesa in Mexico City that year. The show was fronted by James Lavelle, whose UNKLE project has long sat in a darker, more industrial corner of electronic music, and the review measured the night against that reputation.
The critic's main objection was tonal. The set was, at times, overly sweet and leaned towards pop, which the reviewer felt sat awkwardly against the heavier textures that define the project's recorded work. The beats, too, struck the reviewer as dated rather than fresh, suggesting that some of the material had not aged well in a live setting.
The verdict went further than tone. The reviewer described the visuals as monotonous, offering little to lift the show when the music flagged. Energy was lacking overall, and the set did not build in the way a live electronic performance is expected to. The reviewer also pointed to the absence of tracks that many in the audience would have anticipated, including Burn My Shadow and Restless, and noted that their omission left a noticeable gap in the night.
The piece was not wholly dismissive. The reviewer acknowledged moments of freshness and recognised the project's more industrial sound when it surfaced, suggesting that the strongest material lay in those passages rather than in the sweeter, pop-leaning sections. No rating was attached to the review, so the judgement rests on the written account alone.
Read today, the review works best as a snapshot of a single night rather than a verdict on the act's catalogue. It highlights a tension that runs through UNKLE's live identity: the pull between its heavier, industrial roots and a more accessible, crowd-friendly approach on stage. For anyone weighing up how the act performs live, the piece is a useful reminder that the balance between those two sides is where the show either holds together or falls apart.
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