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Boyzlife's Blackpool show wins warm praise, led by Brian McFadden's harmonies, in Jadar review

Jadar's review of Boyzlife at Blackpool's Winter Gardens is one of the most glowing notices the duo's live show has received, praising its nostalgia and vocals while noting some limits.

· Updated · 2 min read · 1 source
Boyzlife
Photo: Eva Rinaldi / CC BY-SA 2.0 / Wikimedia Commons

In February 2025, Jadar published a review of Boyzlife's show at the Opera House in Blackpool's Winter Gardens, and it stands as one of the most glowing notices the duo's live show has received. Keith Duffy and Brian McFadden, formerly of Boyzone and Westlife, have built Boyzlife around the pop songs of the 2000s, and the review reads as the work of someone who arrived ready to enjoy the nostalgia and left glad they had.

What the critic responded to first was the material itself. In paraphrase, the reviewer finds that the songs have lasted well and carry much of the evening on their own. The show is described as a heart-warming, nostalgic pop experience, the kind of night where the audience's shared memories of these songs become part of the atmosphere rather than a distraction from it.

The verdict is most specific on the singing. Brian McFadden's harmonies and high notes are singled out for praise, and the review says that Duffy and McFadden perform the material impressively for most of the show. The praise is not vague. The reviewer points to the vocal work as the element that makes the evening hold together.

The reservations are real, and the piece does not hide them. Some songs are said to lose impact without the original group's full vocal line-up, which is a predictable limit for a two-person act performing material written for larger ensembles. The reviewer also notes that at times the show can feel close to a tribute night. These points are recorded, but the review ends on a positive note and does not let them overshadow the overall impression.

Read now, the review says something useful about Boyzlife as a live proposition. Its strength lies in clear vocal delivery and in the affection the songs still command, and its risk lies in the same place. A duo singing older group material can drift toward impersonation if the performance does not find its own footing. The Blackpool review suggests that, on this occasion, the balance tipped towards the warm and the well sung.

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